Religious and Artistic Sites of Venice Essay -- Place Geography Italy

Religious and Artistic Sites of Venice The masterpieces of four visual artists, Bellini (1430-1516), Titian (1485-1576), Tintoretto (1518-1594), and Tiepolo (1696-1770), dominate the religious and artistic sites found in the island city of Venice. The city is divided into six districts. Each contains historical sites, however, the most notable are located in the districts of San Marco, San Polo, and Dorsoduro that border the Grand Canal. The artistic and religious sites of Venice are appreciated as part of the island?s historical past, as well as infused in its everyday present. One symbol of the importance of art in Venetian life is the lion of Venice. The lion honors the patron saint of Venice, St. Mark. It can be seen in many different poses including a peaceful, playful stance, an impassive guard, a majestic, stately lion, or even a forceful, warlike lion. The lion, like art and religion, reflects the spirit of Venice. San Marco District Saint Mark?s Basilica Since 830 AD, the basilica has housed the bones of St. Mark which were taken from Alexandria, Egypt and given at the Port of Olivolo to the D oge Giustiniano Particiaco. Mosaics in the basilica depict this event as bones being hidden under barrels of pork to keep Muslims away. Mark was patron saint of Alexandria and then became patron saint of Venice. The emblem of the patron saint is the winged lion with a sword and a book with the words Pax Tibi Marce Evangelista Meus, Peace to You, Oh Mark, My Evangelist. The church was built with eastern inspiration with its oriental domes and lustrous mosaics. This is an example of the connection between Venice and Byzantium, which protected Venice from Charlemagne and the Holy Roman Empire. The church contains four thousand sq... ...artistic sites of Venice leave a lasting impression for all who visit. Works Cited Crivellari, Domenico, and Maria Da Villa Urbani, eds. Basilica di San Marco. Procuratoria di San Marco Venezia. 2003. Girard-Sharp, Lisa, et al. Venice. New York: APA Publications, 1999. Openshaw, Gene, and Rick Steves, eds. Venice 2004. California: Avalon Travel, 2003. Peggy Guggenheim Collection. The Solomon R. Guggenheim Foundation, 2003. Pioch, Nicolas. ?Titian.? WebMuseum, Paris. 2002. Pioch, Nicolas. ?Bellini.? WebMuseum, Paris. 2002. Rossi, Gerald. ?Il Tintoretto.? Catholic Encyclopedia. 2003. Steves, Rick. Italy 2002. California: Avalon Travel, 2002. Religious and Artistic Sites of Venice Essay -- Place Geography Italy Religious and Artistic Sites of Venice The masterpieces of four visual artists, Bellini (1430-1516), Titian (1485-1576), Tintoretto (1518-1594), and Tiepolo (1696-1770), dominate the religious and artistic sites found in the island city of Venice. The city is divided into six districts. Each contains historical sites, however, the most notable are located in the districts of San Marco, San Polo, and Dorsoduro that border the Grand Canal. The artistic and religious sites of Venice are appreciated as part of the island?s historical past, as well as infused in its everyday present. One symbol of the importance of art in Venetian life is the lion of Venice. The lion honors the patron saint of Venice, St. Mark. It can be seen in many different poses including a peaceful, playful stance, an impassive guard, a majestic, stately lion, or even a forceful, warlike lion. The lion, like art and religion, reflects the spirit of Venice. San Marco District Saint Mark?s Basilica Since 830 AD, the basilica has housed the bones of St. Mark which were taken from Alexandria, Egypt and given at the Port of Olivolo to the D oge Giustiniano Particiaco. Mosaics in the basilica depict this event as bones being hidden under barrels of pork to keep Muslims away. Mark was patron saint of Alexandria and then became patron saint of Venice. The emblem of the patron saint is the winged lion with a sword and a book with the words Pax Tibi Marce Evangelista Meus, Peace to You, Oh Mark, My Evangelist. The church was built with eastern inspiration with its oriental domes and lustrous mosaics. This is an example of the connection between Venice and Byzantium, which protected Venice from Charlemagne and the Holy Roman Empire. The church contains four thousand sq... ...artistic sites of Venice leave a lasting impression for all who visit. Works Cited Crivellari, Domenico, and Maria Da Villa Urbani, eds. Basilica di San Marco. Procuratoria di San Marco Venezia. 2003. Girard-Sharp, Lisa, et al. Venice. New York: APA Publications, 1999. Openshaw, Gene, and Rick Steves, eds. Venice 2004. California: Avalon Travel, 2003. Peggy Guggenheim Collection. The Solomon R. Guggenheim Foundation, 2003. Pioch, Nicolas. ?Titian.? WebMuseum, Paris. 2002. Pioch, Nicolas. ?Bellini.? WebMuseum, Paris. 2002. Rossi, Gerald. ?Il Tintoretto.? Catholic Encyclopedia. 2003. Steves, Rick. Italy 2002. California: Avalon Travel, 2002.

Short Story and Selfishness William Jung

Who can promise that they have never been selfish throughout their life? Who can say out loud that they never did something that had a bad influence on others, only because of personal benefit? The answer is in the short story â€Å"The Lottery†, which was written by Shirley Jackson in 1948.The story takes place in a small town where everyone has to join the lottery, and the winner will be sacrificed for heavy crops for the town. During the lottery, everyone including Tessie Hutchinson, who wins the lottery, expresses their selfishness both consciously and unconsciously.Shirley Jackson is making a point about selfishness. To be specific, she notes that selfishness is born within mankind and lives deep inside, behind their mask of duplicity. In the story, Tessie Hutchinson symbolizes selfishness, she is a happy kind married woman before the lottery, but by the time she finds out that she actually ‘wins’ the lottery, which means she has to sacrifices for the town, i t’s when her selfishness starts to appears.When Hutchinson family is choose to have the second draw, Tessie strongly argues that â€Å"You didn’t give him time enough to take any paper he wanted, I saw you, it wasn’t fair! † (P. 6) even though she also pinches his husband Bill to draw the paper.She only worries about her family were chosen. Moreover, she only cares about herself, during the second draw, she strongly agrees about her daughters to join the lottery, which will make more chances for her to survive. Her selfishness is unavoidable even though she is a mother of a family, because selfishness is deep inside her.Beside Tessie Hutchinson who is an adult, some innocent, pure little children also contain absolute selfishness, just like Tessie’s children Bill, Jr. and Nancy. They join the second lottery with Hutchinson family although they are too young, but when they find out that they are not the one who ‘wins’ the lottery, they both â€Å"beamed and Laughed, turning around to the crowd and holding their slips of paper above their heads. † (P. 8) They delight about they didn’t get selected to sacrifice. They are happy because the one who will die are not them, but their mother.Children are not able to endure their impressions, which make them express their true emotions, in this case selfishness throughout their innocent faces unconsciously, because they are simply happy, they didn’t learn anything from others, it was just their instinct reactions that appear because of the selfishness, which born within themselves.Everyone in the village also has the exact same feelings as Bill, Jr. and Nancy, but they don’t express their feeling by reactions to others because they have more mature masks which are their faces of conscience.Before the lottery starts, everyone acts like they are nice innocent person. They talk to each other like friends, just like they really care about each other . However, when Tessie says the lottery is unfair, and should do the lottery again, the selfishness within people is no more covering by the masks of â€Å"kindness†.As they face another bad chance to die, their emotions come out right away consciously, they say â€Å"be a good sport, Tessie. † or â€Å"All of us took the same chance. † (P.6) to get away from the danger. Including Bill Hutchinson who is Tessie’s husband, he â€Å"went over to his wife and forced the slip of paper out of her hand. † (P. 8) to make sure she is the one who will die, and shows the slip of paper with black dot to everyone. The masks of ‘conscience’ , ‘kindness’ or even ‘love’ will lose their power in front of the selfishness when people are in an extreme situation. The masks cannot cover the true natural sense of mankind. Selfishness is something that no one can reject it.It’s something that everyone owns, but owns without a ny authority to control it. It’s something that is impossible to hide behind the masks of duplicity forever. It’s the basic and strongest devil that born within everyone.But it is possible to change the way of being selfish, by respecting others selfishness, by knowing that other people only care about themselves just like usual, and by finally realize that the easiest way to protect or gain benefit to yourself is by helping others, because devotion will always come back like a boomerang.

Freaks and Geeks Paragraph

Lights, Camera, Music, Action A filmmaker needs to work extremely hard to create a piece with a strong story line, characterization, twists and a stupendous ending. How are these elements portrayed? Through the elements of media of course. In the pilot episode of â€Å"Freaks and Geeks,† it is undeniable that the use of lighting, music and camera manipulation are utilized to create pathos between the characters and the audience. Music evidently plays a grand part of setting the tone and emotion in a scene whether it is to heighten suspense, set a romantic mood or pick up the pace for an action scene.Prior to the ambush of the school bully Alan in the episode of â€Å"Freaks and Geeks,† the music slowed into a dramatic melody with heroic lyrics and an altogether â€Å"we are going into battle,† feel. This use of music is highly effective in relaying the sense of finality to the viewers, the geeks are finally going to stand up to the bully. It gives everything a ba ttle-ready atmosphere which is perfect for the before-the-fight mood.Furthermore, the use of different camera angles and distances plays a large part in creating sympathy or empathy between the viewer and character as seen when Sam struggles to ask his crush, Cindy out for the Homecoming Dance. The close-up on his face is used to allow viewers to clearly see the hesitancy in his gaze, the nervous way he bites his lip and the internal struggle to find courage and pursue his dream. Without being able to truly see his emotions, viewers would likely be less empathetic towards his cause and not root for him as strongly had the camera been so far as to not being able to see his face.Lastly, another important aspect of media elements that was used frequently throughout the episode is lighting. During the scene where Lindsay’s in Nick’s garage, the lights are dim and soft and the romantic, deep atmosphere is created. It was during this scene where Nick tells Lindsay about his dreams and his passion for drumming, the lighting creates a sense of endearment from the viewers because the lighting, plus the music, plus the camera shots all combine together to create this peaceful, cute moment that makes the viewers really want something romantic to happen.Therefore, lighting, music and camera manipulation are all used extensively throughout the episode to heighten emotion and create pathos between the characters and the viewers. Works Cited Paul Feig, S. W. (Writer), & Jake Kasdan, I. R. (Director). (1999). Pilot [Television series episode]. In Judd Apatow(Producer), Freaks and Geeks. California, USA: National Broadcasting Company.

Mayflies, Order Ephemeroptera

Mayflies, Order Ephemeroptera The order Ephemeroptera includes only the mayflies. Ephemeroptera comes from the Greek ephemeros, meaning short-lived, and pteron, meaning wing. Adult mayflies live just one or two days. Description As adults, mayflies have delicate, slender bodies. They hold their membranous wings vertically when at rest. You can easily identify an adult mayfly by its triangular forewings and two or three long, threadlike tails extending from the abdomen. Most species also produce a subimago stage, which looks similar to the adult but is sexually immature. Mayflies live on land as adults, but are entirely aquatic as nymphs. Adult mayflies live just long enough to mate, which they often do in dramatic swarming flights. Receptive females fly into the cloud of swarming males, and mate in flight. The female deposits her eggs on the surface of a shallow pond or stream, or on objects in the water. Mayfly nymphs inhabit streams and ponds, where they feed on algae and detritus. Depending on the species, a mayfly nymph may live two weeks to two years before emerging from the water to complete its life cycle. Mayflies are known for emerging en masse, usually in May. In some places, large numbers of emerged mayflies can coat roads, making travel slippery and dangerous. Habitat and Distribution Mayfly nymphs inhabit fast-flowing streams and shallow ponds with high levels of dissolved oxygen and low levels of pollutants. They serve as bioindicators of good water quality. Mayfly adults live on land, near ponds and streams. Scientists describe over 4,000 species worldwide. Major Families in the Order Family Baetidae - small minnow mayfliesFamily Heptageniidae - stream mayfliesFamily Ephemeridae - common burrower mayfliesFamily Leptophlebiidae – prong-gilled mayfliesFamily Siphlonuridae - primitive minnow mayflies Families and Genera of Interest The American sand burrowing mayfly, Dolania Americana, is one of a few species of predatory mayflies.The Gila mayfly, Lachlania dencyanna, is known to exist only in one small area of New Mexico, and is threatened with extinction.An unusual parthenogenetic mayfly, Eurylophella oviruptis, employs a surprising method of oviposition. The subimagos abdomen literally ruptures, spilling its eggs onto the waters surface. Sources: Borror and DeLongs Introduction to the Study of Insects, 7th Edition, Charles A. Triplehorn and Norman F. JohnsonOrder Ephemeroptera - Mayflies, Bugguide.netGuide to Aquatic Insects and Crustaceans, Izaak Walton League of America

Sentence Variety - What It Is and How to Achieve It

Sentence Variety - What It Is and How to Achieve It In a composition, sentence variety refers to the practice of varying the length and structure of sentences to avoid monotony and provide appropriate emphasis. Grammar checkers are of little help with sentence variety, says  Diana Hacker. It takes a human ear to know when and why  sentence variety is  needed (Rules for Writers, 2009). Observations Sentence variety is a means by which the writer helps the reader to understand which ideas are most important, which ideas support or explain other ideas, etc. Variety of sentence structures is also a part of style and voice.(Douglas E. Grudzina and Mary C. Beardsley, Three Simple Truths and Six Essential Traits for Powerful Writing: Book One. Prestwick House, 2006) Thomas S. Kane on Ways to Achieve Sentence Variety Recurrence means repeating a basic sentence pattern. Variety means changing the pattern. Paradoxical as it sounds, good sentence style must do both. Enough sameness must appear in the sentences to make the writing seem all of a piece; enough difference to create interest...Of course, in composing a sentence that differs from others, a writer is more concerned with emphasis than with variety. But if it is usually a by-product, variety is nonetheless important, an essential condition of interesting, readable prose. Let us consider, a few ways in which variety may be attained. Changing Sentence Length and Pattern It is not necessary, or even desirable, to maintain a strict alternation of long and short statements. You need only an occasional brief sentence to change the pace of predominately long ones, or a long sentence now and then in a passage composed chiefly of short ones ...... Used with restraint, fragments ... are a simple way to vary your sentences. They are, however, more at home in a colloquial style than in a formal one. Rhetorical Questions ...  [R]hetorical questions are rarely used for variety alone. Their primary purpose is to emphasize a point or to set up a topic for discussion. Still, whenever they are employed for such ends, they are also a source of variety ... Varied Openings Monotony especially threatens when sentence after sentence begins the same way. It is easy to open with something other than the usual subject and verb: a prepositional phrase; an adverbial clause; a connective like therefore or an adverb like naturally; or, immediately following the subject and splitting it from the verb, a nonrestrictive adjectival construction. . . . Interrupted Movement Interruptionpositioning a modifier or even a second, independent sentence between main elements of a clause so that pauses are required on either side of the intrudernicely varies straightforward movement. (Thomas S. Kane, The New Oxford Guide to Writing. Oxford University Press, 1988) A Strategy for Evaluating Sentence Variety Use the following strategy to review your writing for variety in terms of sentence beginnings, lengths, and types: - In one column on a piece of paper, list the opening words in each of your sentences. Then decide if you need to vary some of your sentence beginnings.- In another column, identify the number of words in each sentence. Then decide if you need to change the lengths of some of your sentences.- In a third column, list the kinds of sentences used (exclamatory, declarative, interrogative, and so on). Then . . . edit your sentences as needed. (Randall VanderMey, Verne Meyer, John Van Rys, and Patrick Sebranek. The College Writer: A Guide to Thinking, Writing, and Researching, 3rd ed. Wadsworth, 2008) William H. Gasss 282-Word Sentence on Sentence Length and Variety Anyone who looks with care into the good books shall find in them sentences of every length, on every imaginable subject, expressing the entire range of thoughts and feelings possible, in styles both as unified and various as the colors of the spectrum; and sentences that take such notice of the world that the world seems visible in their pages, palpable, too, so a reader might fear to touch those paragraphs concerned with conflagrations or disease or chicanery lest they be victimized, infected, or burned; yet such sentences as make the taste of sweet earth and fresh airthings that seem ordinarily without an odor or at all attractive to the tongueas desirable as wine to sip or lip to kiss or bloom to smell; for instance this observation from a poem of Elizabeth Bishop’s: ‘Greenish-white dogwood infiltrated the wood, each petal burned, apparently, by a cigarette butt’well, she’s right; go lookor this simile for style, composed by Marianne Moore: ‘It is as though the equidistant three tiny arcs of seeds in a banana had been conjoined by Palestrina’peel the fruit, make the cut, scan the score, hear the harpsichord transform these seeds into music (you can eat the banana later); yet also, as you read these innumerable compositions, to find there lines that take such flight from the world that the sight of it is wholly lost, and, as Plato and Plotinus urge, that reach a height where only the features of the spirit, of mind and its dreams, the pure formations of an algebraic absolute, can be made out; for the o’s in the phrase ‘good books’ are like owl’s eyes, watchful and piercing and wise. (William H. Gass, To a Young Friend Charged With Possession of the Classics. A Temple of Texts. Alfred A. Knopf, 2006)

Thank You Note Definition and Writing Tips

Thank You Note Definition and Writing Tips A thank-you note is a type of correspondence in which the writer expresses gratitude for a gift, service, or opportunity. Personal thank-you notes are customarily handwritten on cards. Business-related thank-you notes are usually typed on company letterhead, but they, too, may be handwritten. Basic Elements of a Thank-You Note [The] basic elements for writing a thank-you note should include: Address the individual(s), using a  salutation  or greeting. . . .Say thank you.Identify the gift (be certain to get this one right. It does not look good to thank Mr. and Mrs. Smith for the lingerie when they sent you a toaster.)Express how you feel about the gift and what it will be used for.Add a personal note or message.Sign your thank-you note. Within this framework, there is a great deal of latitude. When preparing to write a note, sit for a moment and consider your relationship with the person to whom you are writing. Is it intimate and personal? Is it someone you know as an acquaintance? Are you writing to a complete stranger? This should dictate the tone of your writing. (Gabrielle Goodwin and David Macfarlane, Writing Thank-You Notes: Finding the Perfect Words. Sterling, 1999) Six Steps to Writing a Personal Thank-You Note [1]Dear Aunt Dee, [2]Thank you so much for the great new duffel bag. [3]I cant wait to use it in my spring break cruise. The bright orange is just perfect. Not only is it my favorite color (you know that!), but Ill be able to spot my bag a mile away! Thanks for such a fun, personal, and really useful gift! [4]Im really looking forward to seeing you when I get back. Ill come over to show you pictures from the trip! [5]Thanks again for always thinking of me. [6]Love, Maggie [1] Greet the recipient. [2] Clearly state why you are writing. [3] Elaborate on why you are writing. [4] Build the relationship. [5] Restate why you are writing. [6] Give your regards. (Angela Ensminger and Keeley Chace, Note-worthy: A Guide to Writing Great Personal Notes. Hallmark, 2007) Thank-You Note Following a Job Interview An essential job-seeking technique, as well as a gesture of courtesy, is to thank the person who interviews you. Write a note immediately after the interview and before a decision has been made. State what you liked about the interview, the company, the position. Emphasize briefly and specifically your suitability for the job. Address concerns about your qualifications that came up during the interview. Mention any issue that you didnt have the opportunity to discuss. If you felt you misspoke or left the wrong impression, this is where you can correct your interviewbut be brief and subtle. You dont want to remind the interviewer of a weak point. (Rosalie Maggio, How to Say It: Choice Words, Phrases, Sentences, and Paragraphs for Every Situation, 3rd ed. Penguin, 2009) Thank-You Notes to College Admission Offices Call it a testament to how carefully students court college admissions offices these days: Thank-you notes have become the new frontier. . . . Miss Manners, Judith Martin, who writes a syndicated etiquette column that runs in more than 200 newspapers, says she, for one, does not think thanks are needed for a campus visit: I would never, ever say, Don’t write a thank-you note under any circumstances. I don’t want to discourage them. But it is not really a situation that is mandatory. Still, some admissions advisers [disagree]. It seems like a small thing, but I tell my students that every contact with the college contributes to their perception of you, said Patrick J. O’Connor, director of college counseling at the private Roeper School in Birmingham, Mich. (Karen W. Arenson, Thank-You Note Enters College Admission Game. The New York Times, Oct. 9, 2007) A CEOs Thank-You Notes Dear Bloomberg Businessweek Friends, Thank you for asking my perspective on writing thank you notes. In my 10 years as President and CEO of Campbell Soup Company, I sent out over 30,000 notes to our 20,000 employees. I found it was a powerful way to reinforce our strategies, to let our employees know we were paying attention and to let them know that we cared. I kept my notes short (50-70 words) and to the point. They celebrated accomplishments and contributions of real significance. They were virtually all handwritten to make the communication more authentic and personal. It is a practice that I highly recommend. Good luck! Doug (Douglas Conant, Write a Thank-You Note. Bloomberg Businessweek, Sep. 22, 2011) Thank-You Note to Anita Hill Anita Hill, I want to personally thank you for what you did for us twenty years ago. Thank you for speaking up and speaking out. Thank you for your quiet dignity, your eloquence and elegance, your grace under pressure. Thank you for illuminating the complexities of female powerlessness and for explaining why you didn’t complain when the offense first occurred, and for describing how cowed and coerced a woman can feel when she’s hit upon by a man who controls her economic destiny. . . . (Letty Cottin Pogrebin, A Thank-You Note to Anita Hill. The Nation, Oct. 24, 2011)

From Seeds to Civilizations Bruce D Smith Essay Example | Topics and Well Written Essays - 750 words

From Seeds to Civilizations Bruce D Smith - Essay Example These factors influence the cultural macroevolution. Here the changes are determined by the environmental factors and not by the social economic and political ones. The important influence of these macro evolutionary factors has been brought to the limelight by Jared Diamond. These factors played a very pivotal role at the dawn of history especially when writing was first invented. For example the Inuit could not invent farming but people in the Middle East could do so because they were surrounded by wild animals/plants which could be domesticated. Cultural microevolution on the other hand generated a need for liquid fuels for industrialized nations. But it was the macro evolutionary factors which shaped the World War II, where Germany and Japan had to use all their efforts to obtain and defend their petroleum supplies since their own territories lacked them. Early historians did not give much importance to the evolutionary view of history. But seventeenth century onwards scholars like Voltaire, Comte and others visualized history as an evolutionary process that was moving towards a goal. Karl Marx was one of the pioneers of the first great theories of historical evolution. Marx tried to find an evolutionary pattern of history based on scientific analysis. Apart from historians even... We are all products of our social and biological backgrounds. It is due to this very reason that the human nature of citizens living for long under democracies is different than those under dictatorships. Evolutionary theory has converted biology into a logical discipline. Evolutionary theory, primarily its cultural aspects can do the same to social sciences. Although some aspects of such a theory can be overshadowed by the story of sociopolitical evolution from hunting and gathering through the establishment of states that can be put together today. Evolutionary theory thus can be formed without making assumptions about genetics. The change in human natures is essentially because of cultural and not biological evolution. Plant domestication i.e. agriculture has played a very pivotal role in human history. It first began in the Fertile Crescent which is now a part of Israel and Lebanon. Population pressure, declining game supplies and increased plant gathering are some of the reasons given for the origins of agriculture .It is believed that the key reason for the spread of farming was due to the episodic periods of scarcity- a discrepancy of the general population pressure speculation. This could explain the rapid spread of agriculture from the Fertile Crescent The second hypothesis is that agriculture developed due to the rapid end of the ice age. The agricultural revolution was accompanied by rising birth rates. This eventually led to the demand of more food and thus led to the pressure of technological change to make more intensive agriculture possible. Due to this intensification and division of labor human society underwent changes through villages, clans to ultimately modern nation states. Differences in the productivity of the physical